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This is my Ecce Homo for Good Friday 2020. It is from a soldier’s point of view, but I suppose it could be from Pilate’s as well.

I am very grateful to the publications who have shared my work this year: the Arcade Materials project, Meat for Tea, Beacon Quarterly, and Salt Hill Journal (not pictured). May 2020 bring me into new work and new friendships. May we all serve our art well. Music: “I Am Not Zen”, Ambulance

Man Two / Enkidu

The man is walking like a horse. His back is a low range of heaps, like the San Gabriels. His back is proceeding. The man is tiger-faced and cloven-hoofed. He has a great sense of his own foolishness. This is the man-face, this is the man-life. He is walking on four hands. The head on […]

Man One / Small Town

The man is on his chair in his house in the village. Behold the man amid his Shaker furniture. The man’s white dishes grow gray as fish in the slanted light at the end of the day. The funny man is rattling in his chair like a car over spikes. He is filmed with a […]

    Thrilled to receive my copy of Arcade Materials: Blue, in which you will find my piece “U is for Head: an Alphabet Adventure!” (here printed as “U is for Head: an Alphabetic Collection”). This volume is the third of a trio of monographs on Walter Benjamin’s arcades project. My piece engages with convolute […]

Mi Casa

  Last night I dreamt that my lover died. I was amazed by the news. At first I didn’t weep. I wept when I had the thought that he could no longer speak his own name. What a relief to wake up. In real life I head home in the late afternoon. I am turning […]


The designations of experience were ad hoc and we have done ourselves a disservice by allowing them to become customary law. We had at some point to say, for the sake of efficiency, “this experience has mostly to do with the nose and so we will call it smelling”, and “our means of deliberately conveying […]


Image: a page from The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry, ed. Timothy B. Husbands. The images I discuss here come from fols. 211 and 212. Squinting bares my teeth. My head is tracking the clouds: I am on the balcony in the afternoon in May […]